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MailTribune.com
  • Learn about Chief Seattle at new museum

    The 9,000-square-foot museum on the Kitsap Peninsula honors the Suquamish tribe
  • SEATTLE — Anybody new to Seattle might wonder about the city's name. It's not like New York, named after a place in the "old country," or Madison, named for a dead president.
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  • SEATTLE — Anybody new to Seattle might wonder about the city's name. It's not like New York, named after a place in the "old country," or Madison, named for a dead president.
    Seattle is named for a peace-loving Indian chief — a little classier than Chicago, derived from a native word for wild garlic.
    When you've been here long enough to be settled in and have a favorite coffee order, it's time to learn more about your hometown's heritage. Make a ferry-ride pilgrimage to the Kitsap Peninsula, to the winter home and final resting place of the city's namesake, Chief Seattle.
    And now's a good time to go, because the chief's tribe, the Suquamish, has opened a handsome new museum where you can learn all about Chief Seattle's people and their culture.
    One surprise: The chief himself gets a conspicuously modest mention.
    The 9,000-square-foot, $6 million tribal museum, which opened in September a few hundred feet from the chief's grave in the village of Suquamish, replaces a well-respected museum dating to the 1980s.
    In part with newfound wealth from its Clearwater Casino, the tribe hired Storyline Studio of Seattle to design new exhibits, and Mithun Architects created a stained-wood building surrounded by native plantings of sword fern, wild currant and cedar.
    Inside, it's a gleaming example of modern museum concepts with a topical "less is more" orientation that doesn't overwhelm. A single, compact hall showcases artifacts from tribal archives, or even from contemporary tribal members' attics or family rooms (giving the sense that this is truly "living history").
    In the permanent exhibit, "Ancient Shores — Changing Tides," simple island-like displays communicate large themes:
    • "Teachings of Ancestors" includes a bone sewing needle and a cedar-root basket from the site of Old Man House, the longhouse on a nearby beach where Chief Seattle spent much of his life.
    • "Spirit and Vision" has a mystical Tamanowas Stick, a personal-spirit symbol usually buried with a person, and a cedar mask with wild eyebrows and blushing cheeks.
    • "Gifts from Land and Water" includes, among other things, a utilitarian clam-digging stick and a mean-looking wooden club used to kill salmon.
    • "Shelter, Clothing and Tools" displays old and new, such as a dress astoundingly made of shredded cedar alongside a championship jacket from the 1984 national Indian Slo-Pitch Tournament.
    • "Opportunity and Enterprise" are represented by 21 baskets of cedar bark, historically used for gathering clams and berries. (The modern representation of enterprise might be the tribal casino, which collects many "clams" from its patrons.)
    • "Wisdom and Understanding" gives a puzzlingly brief nod to Chief Seattle. Context comes from this narrative: "(He) is perhaps the most famous of tribal leaders from the Salish Sea. But for the Suquamish people he was just one of many admired leaders throughout our history, each celebrated for their own unique skills."
    Six other leaders from across the years get the spotlight, with artifacts such as the gavel of Grace Duggan, the tribe's first judge.
    Why not dedicate more space to the leader for whom the big city is named?
    "I think that the tribe is consciously trying to move away from (Chief Seattle) being the beginning, middle and end of the tribe," explained museum director Janet Smoak. "It's in no way a reflection of less esteem or less respect."
    Exhibits briefly reference Chief Seattle's famous 1854 speech when he played a key role in treaty negotiations as his people were moved to reservations (see the speech's full text on the tribe's website at www.suquamish.nsn.us; search for "speech"). A peaceable man in tune with the Earth, he noted with melancholy that "my people are ebbing away like a fast receding tide that will never flow again." Yet he also delivered a burning message that his people's spirits will forever inhabit this land.
    Something the museum does well: a historical multimedia production, creatively projected from above onto three child-level platforms, showing happy times — old-time salmon roasts — and less happy, when tribal children forcibly attended military-type schools after Teddy Roosevelt declared America "would make good citizens of all the Indians."
    The museum's trumping centerpiece is a carved canoe, more than 300 years old, used in the 1989 Paddle to Seattle, the first of a now-annual series of intertribal-canoe journeys around the Salish Sea. Hoisting it are six sculpted figures representing the Suquamish from ancient times to present, including two sea otters "from before the great changer came and made people into people and animals into animals," Smoak explained, citing the kind of beliefs that defined the tribe.
    If you want to feel closer to the man Seattle, head a short ways down South Street to the cemetery adjacent to St. Peter's Catholic Mission, circa 1904.
    Reflecting varying spellings of both his name and that of his tribe, based on changing interpretations of the native language, a white marble marker is inscribed "Seattle, Chief of the Suguampsh and Allied tribes, died June 7, 1866, the firm friend of the whites, and for him the city of Seattle was named by its founders." Below that, the other name by which he was commonly known: "Sealth."
    Here you'll see more plainly how the tribe honors him, in the form of significant improvements made to the gravesite in 2009 with $200,000 plus in grants split between the tribe and the city of Seattle. Flanking the stone are beautifully carved 12-foot cedar "story posts" that highlight moments from the chief's life, such as his childhood sighting of Capt. George Vancouver's exploration ships in1792.
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