San Francisco Through the Lens
San Francisco is one of the great cities on the planet to visit with a camera, just full of natural wonders, cultural icons, international events, interesting people and more.
But the city's embarrassment of riches can also be a bit overwhelming for visitors seeking visual splendor with minimal hassle. For the past year, I've been working on a way to guide sightseers and photographers to the best the city has to offer, culminating in my new book, "The Photographer's Guide to San Francisco: Where to Find Perfect Shots and How to Take Them" (Countryman Press).
Here are some tips to make your photographic adventure successful.
1. Savor a sunset glow on the Golden Gate Bridge
There are two terrific places to be from 3 p.m. to sunset. Get a good paper map or print out an online map to plot your course.
Within San Francisco, go to Baker Beach, west of the Golden Gate Bridge on the north shore of the city. Baker Beach presents an expansive oceanside walk with crashing waves. It's the cover photo on my book.
The other choice site is in Marin County on Conzelman Road, the first exit after you leave the north side of the bridge. Turn onto Conzelman and snake your way west as the road curves through the Marin headlands.
There are three turnouts for stops. The first is at Battery Spencer, a World War II gun emplacement next to the north tower of the Golden Gate Bridge. The second is the turnout a quarter mile west, a classic postcard-view stop. The third is a small road that angles left off the main road, the first possible turn to the left. Drive to the end of this small road and you're at Hawk Hill, with a panoramic view of the Golden Gate.
2. Indulge in a morning walk at Crissy Field, one of the most glorious urban walks on the planet
The light is beautiful in the morning, from dawn until about 11 a.m. Transport yourself to Crissy Field and start near the Marina Green/St. Francis Yacht Club. Walk toward the Golden Gate Bridge..
This is a great people-photo opportunity, as all manner of San Franciscans parade here in an egalitarian manner. The hikers, bicyclists, joggers and dog-walkers congregate on this paved waterside path to enjoy the bay and watch the windsurfers celebrate life on the water. If you want to experience brilliant urban planning and design, Crissy Field is the place.
Bring a windbreaker because it can be chilly any time of year. A restaurant, aptly named the Warming Hut, offers a pleasing break. Don't forget a plastic bag for your camera to keep the blowing saltwater mist off your optics.
3. Sample ethnic San Francisco with a morning walk in Chinatown and an afternoon stroll through North Beach
Both of these neighborhoods must be photographed or viewed on foot. It takes time to watch and wait until a pleasing moment appears in front of you.
Chinatown is better in the morning when the bustle of shopping occurs. North Beach is a more languorous afternoon experience when café idling might be appropriate.
For Chinatown, walk Grant Avenue from Bush Street to Broadway. Sometimes a detail can jump out at you and photographically define a subject. Roast ducks hanging in a restaurant window is such a shot. You can see roast ducks at Yee's Restaurant, 1131 Grant Ave. Go inside and watch the butcher, who may be slicing up beef tongue. You can get a modestly priced lunch here of meat, rice and tea.
After Chinatown, go to Broadway and Columbus Avenue; walk on Columbus and you will be in North Beach. Walk southeast one block to Kearney Street to take one of the classic San Francisco photos showing the old and the new. In front of you will be Francis Ford Coppola's Zoetrope building, 916 Kearney St., a classic structure from Old San Francisco. Behind it you observe the signature modern San Francisco building, the Transamerica Pyramid.
Then walk back up Columbus Avenue to Washington Square and browse around the streets immediately off the square. Bakeries and coffee shops abound. Caffe Roma, 526 Columbus Ave., would be a good place to pause.
4. Ride the city's famous cable cars, then peruse the innards of the system at the cable car "barn."
A slice-of-life photo of the cable cars is high on most photographers' to-do list for San Francisco.
The cable car turnaround at the foot of Powell Street is interesting to watch and photograph. The busiest coming and going of cable cars occurs at Powell and California streets, where two lines intersect. The classic steep hill shot is from Hyde and Chestnut streets as the cable car climbs Hyde, with the bay and Alcatraz Island in the background. This last shot is best between noon and 2 p.m. when the sun is high and the cable cars are lit rather than in shadow due to tall buildings.
Beyond these outdoor shots, a fascinating image can be made of the innards of the system, the giant wheels that turn the cable and pull the little cars around the city. See this at the cable car "barn," formally known as the Cable Car Museum, 1201 Mason St. You will want to ramp up the ISO on your camera or use a tripod because the interior is dark.
5. Meander the redwoods at Muir Woods
San Francisco is so famous for its nearby redwood trees that you owe it to yourself to drive north across the Golden Gate Bridge to Muir Woods in Marin County.
Get up early and leave San Francisco at 7 a.m., arriving at Muir Woods by 8 a.m. Drive north on Highway 101 across the Golden Gate Bridge and then west on Highway 1, following the signs.
There are several good reasons for the early morning trip. At 8 a.m. the light is lovely, soft and even, making good photos possible. When the sun gets high and the light gets hot, it is difficult to photograph the brightness and shade together in the redwoods. A more diffuse light is preferable.
Also, Muir Woods opens at 8 a.m., so parking is easier before congestion occurs. With very few people around, you will enjoy a high-quality experience communing with the redwoods. You'll be able to photograph and walk at Muir Woods and still get back to San Francisco for a photo-filled day.
For Muir Woods you may want to use a high ISO light sensitivity on your digital camera because the deep woods are fairly dark. Bring a tripod if you have one, and set your camera on a low ISO. Let the camera take its time, and you will have a photo that can be printed large with minimal pixelation "noise."
September-October and April-May are the optimal months to photograph San Francisco because the light is clear and crisp. Summer can be foggy and winter gray and rainy.
San Francisco is a world-class city to photograph and view. I hope these notes will help you replicate some of the fun I had spending a year looking at the city for my book.